Brightside of Hollywood
I like to write about films and stuff.
Friday, 6 April 2018
Time to get back in the saddle?....
Thursday, 15 December 2016
Pacific Rim Sequel
After an indefinite halt to production, then a working title of 'Malestrom' and a posted picture by cast member John Boyega of the script followed up by set photos. A quiet press release from Legendary Pictures has confirmed a new title for the film 'Pacific Rim: Uprising' and a release date of February 23 2018.
http://corporate.legendary.com/release-date-announcements-warcraft-pacific-rim-2/
With the adventure taking place after the events of the first film, we already know John Boyega's character plays the son of Stacker Pentecost.
As for what the new title tells us?
Some think it adds credence to the exploration of the idea of what the world does with Jaeger tech once the Kaiju menace has been dealt with. A war between humans with Jaeger tech the weaponry of choice?
A class war with the disenfranchised having to scavenge and salvage from the battlefields of old in order to piece together Jaeger tech to battle the elite? Could this lead to us seeing things like Jaeger 'jacking' or 'hacking'? Tech savvy revolutionaries hijacking physically or systematically the Jaegers of their opponents.
As interesting a prospect as this is, I'm not entirely sure how I feel about a Pacific Rim without Kaiju. The monsters versus mecha action of the first film was terrific, and made a great spectacle. Could it be that a reduced production budget means this time round we'll be treated to a grittier, human driven story? With Steven S. DeKnight (Marvel's Daredevil TV) at the helm, what ever happens, it's in good hands.
Who knows, they might just stick with the original plan of a Kaiju origin story!
Friday, 15 July 2016
Suspend my disbelief
- Mirakuru
- The Lazarus Pit
- Magic herbs that Oliver eats to cure himself of…..well, anything.
- and a bow that The Arrow can bludgeon people with during fights, yet it never breaks?
I'm going watch the Legends of Tomorrow travel through time in order to calm down.
Monday, 4 July 2016
Marvel vs. DC, TV goes head to head...
Monday, 7 April 2014
Captain America, old dog, new tricks!
With everything that Marvel Studios has going on at the moment, they could almost be forgiven for leaning (not resting, just leaning) ever so slightly on their laurels.
All of this doesn't even include my two favourite elements to The Winter Soldier!
The first is the introduction of Falcon. The MCU has introduced us to Gods, Alien Superpowers and Enhanced Super Soldiers. The closest to a non super hero is Tony Stark. Although a genius, playboy billionaire and creator of The Iron Man Suit isn't my idea of non super. Even Black Widow and Hawkeye exhibit some extraordinary abilities, and if Marvel Studios decide to explore their backstories further in stand alone films, I wouldn't be surprised to find some kind of genetic modification or enhancement being introduced by way of differentiation to us mere mortals. Falcon, however, changes all this. Before donning his wings we first meet Falcon as Sam Wilson, jogging around The Lincoln Memorial Reflecting Pool. Here he is repeatedly lapped by Captain America, each time Rogers calls 'on your left' to alert Wilson to his passing. On each pass Sam gets more and more frustrated. Catching his breath post run, we also see that Sam Wilson is not supporting the trim, muscular physique of Rogers. From the very beginning we are shown that Sam Wilson is a man, a soldier like many others around the world. Doing his duty in the hope of making the world a safer and more just place for us to live. This makes his later heroics all the more special. You don't need to be superhuman to be a hero in the MCU.
Second is the now familiar Marvel end credit sequence. Although the word is already out that we will be seeing Quicksilver and Scarlet Witch in The Avengers: Age of Ultron, I really like how they've been introduced at the end of The Winter Soldier. Their captivity (at one can only assume to be the hands of Hydra) is sympathetic to their 'children of Magneto' backstories. Is the possibility of an introduction of X-Men into the MCU too much to dream of at this point?
Agents of S.H.I.E.L.D. picks up the pace
I still have this week's episode to watch, but with Skye in a very bad way and Deathlok's introduction I can't wait to see what's going to happen next.
In the last episode we see Skye get shot and Deathlok make his first official appearance, did anyone notice The Incredible Hulk name drop?
When arguing with Ward, Agent Coulson threatens him with cryo-cell guard duty. Who's cryo-cell, I hear you ask? Well for those of you who didn't pick up on it, it was Blonsky.
Thursday, 20 March 2014
The Zero Theorem (2014)
Directed by the man who brought us Brazil, The Fisher King, Twelve Monkeys, Fear and Loathing in Las Vegas, and The Imaginarium of Doctor Parnassus, I wasn't surprised to be one of the select few in the cinema when I went to see it. It would be quite easy to take The Zero Theorem at face value and wonder quite what the hell is going on. Whilst it isn't as painfully stylised as the likes of Only God Forgives, it is sure to prove divisive to any watchers. You will either love it, or hate it. Little to no middle ground exists here.
I am a big fan of Terry Gilliam's work. In this way, I had some understanding of what I was letting myself in for. After seeing it, I later read that Gilliam described it as the final part of an Orwellian triptych the started back in 1985 with Brazil, and now has 1995's Twelve Monkeys sandwiched between it and The Zero Theorem. If you are familiar with either of the other two films mentioned above, you will get a good idea of the type of world The Zero Theorem is set in.
Christoph Waltz plays Qohen Leth. A very eccentric, and reclusive computer genius he works for a very large corporation. Tasked with 'crunching numbers' and solving formulae all day, Qohen cannot understand why he is unable to work from home. He believes in this way he can not only be more productive, but he can also await his precious phone call. This phone call is one that he has been waiting for all his life. One that Qohen believes will instruct him as to the meaning and purpose of his existence.
Qohen finally gets what he wants when Management agrees to let him work from home, with one condition. He has to work on The Zero Theorem. A theorem notorious for breaking people, the idea behind the theorem is to prove that '0 must = 100%', many would advise against taking on such a task. As it gives Qohen the chance to work from home though, he gladly accepts. Things then start to go wrong as Management tries to distract and manipulate Qohen to keep him on track.
You can most likely tell even from the paragraph above that the stand out theme of the film is the question, "what is the meaning of life?" if it has any. There's no subtlety, and thankfully it makes no attempt to give us an answer. The best part of the film for me was the way the film explored what this very fundamental theme meant to each of the characters, and how it shaped their lives. Then of course there is you and I, the viewer. What does it mean to us?
The film approaches these things in a way that, whilst oddball and wacky, is relevant to the technological, and somewhat disconnected age in which we live now. I enjoyed it very much, and will undoubtedly be seeing it more than once. My only advice is take as many people with you as you can, then afterwards go to the pub and talk about it over drinks.
It will make for one hell of a night!!